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The movie is an attempt to bridge the two cultures and introduce the Prophet of Islam to the wider world However, Azin also believes that Majidi's inability to portray the Prophet has created weaknesses in the dialogue in a number of scenes, and despite the use of special effects, some sequences could have looked more realistic. "The focus on the Prophet's childhood makes the film different and better-suited to be marketed internationally," added Azin. "The new filming techniques and the use of special effects have made the film stand out from other Iranian movies," said Jabbar Azin, an Iranian film critic. Within Iran, most criticism concerned the portrayal of certain historical incidents, with Majidi granting a number of scenes a legendary or mythical dimension.įilm critics welcomed Majidi's approach, differing as it does from traditional depictions of Islamic history due to its focus on the signs of Muhammad's prophethood and other characteristics that made the subject of the movie more appealing to viewers. The most severe criticism against the film came from the Arab world, especially from the grand imam of al-Azhar, Sheikh Ahmed al-Tayyeb, who railed against the depiction of the Prophet. But it is the best talent which must be used to help develop Iranian cinema, filmmakers argued.
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The film also employed Italian cinematographer Vittorio Storaro and Oscar-winning Indian composer AR Rahman on the score, decisions which attracted criticism from Iranian conservatives. Majidi intends to create a number of sequels over the next few years that cover the remainder of the Prophet Muhammad's life.Ī huge set was purpose built for the movie outside the Iranian capital Tehran, and some scenes were filmed in South Africa. In the 170-minute feature, director Majid Majidi depicts the life of Prophet Muhammad from birth until the age of 13.Ī young boy plays the film's central character, Muhammad, however his face never appears on screen, despite his voice being heard in a number of scenes. But the film's appeal has even reached Hollywood - being selected as the Iranian entry for Best Foreign Language Film at this year's Oscars.Ī young boy plays the film's central character, Muhammad, however his face never appears on screenĭespite the controversy that surrounded the film, it raked in more than a million dollars in its first two weeks in Iran alone, with plans to distribute the film internationally. The film was partially funded by the government and was widely promoted prior to its release, which explains much of its box office success. The film does not depict Muhammad himself but his world, the pagan age with all its tyranny and oppression as seen through the eyes of young Muhammad from birth to the age of 13.After allotting a record $40 million production budget, it seems that the Iranian producers of Muhammad: The Messenger of God are satisfied with their bet, as the movie that opened at the end of August is drawing in impressive audience figures. A month later, Muhammad, the future Prophet of Islam, is born. Millions of small birds then release a hail of stones onto Abraha's forces and the army is annihilated. As the army approaches Mecca, the elephants respond to divine order by halting and refusing to continue. He leads a well-equipped force comprised of thousands of soldiers, horses and elephants. Upon the order of Abraha, King of Habasha (Abyssinia), one of his army commanders launches an attack on Mecca in order to destroy the Kaaba, the pre-Islamic construction.